
For the reading this week I decided to focus on the article I found most interesting. Books Like Clothes: Engaging Young Black Men with Reading by David Kirkland is a case study on how the literacy practices of young black men is not just a matter of "likes to read" vs "doesn't like to read, but is profoundly wrapped up in the ideologies and the identities of our students that are constructed within and outside of the classroom. The article presents two different units studied in the same classroom one about Beowulf and one about The Iliad. Both considered classic texts in our society and very prevalent in high school english classrooms. The student, Derrick, and his teacher Mr. Kegler are the subject of these observations. When Mr. Kegler teaches Beowulf he does it in the very formulaic manner that most people are used to in classrooms:(1) read a section, (2) answer questions, (3) unit test. Derrick, a young African American student does not do well in this unit. He is disinterested and he quickly gives up on reading the book; he says, " I can read that stuff, but it ain't me... They want me to act like somebody I'm not." Contrasting this to the unit that they did for The Iliad were Mr. Kegler has students engage in the text in a totally different way. Having them discuss it and synthesize it into and text that they find engaging (comic books) suddenly the same student that you might have thought didn't care is connecting to and engaging in a text that he might not otherwise cared to even read. So what's the difference?
It is important to understand how students see themselves in relation to texts in the classroom in order to fully understand their literacy practice. I have known many students that love to read but when it comes to an assigned reading in a classroom they completely check out. In fact I was one of those students. I spent a lot of time in in middle and high school walking around with my nose in a book, but if you saw me during my Honors British Literature unit on Wuthering Heights you might have wondered how I was ever allowed into an Honors English class in the first place. I suffered through many unengaging assignments on books that I found uninteresting through my years as an English student. I also found every opportunity to read something that I could enjoy for example for my American Literature class we had to choose an American Author to research from a list of authors that my teacher gave us. Naturally the list was mostly white authors so I chose someone that was not on the list, Maya Angelou.
What is most important is not that the characters in the book look like your students--although that is one of many things that should be attended to--but that whatever text you choose is presented in a way that aligns with how students see themselves as readers. Kirkland writes, "Traditional approaches to ELA instruction have long enforced master narratives, where canonical texts act as toolsets for reifying the status quo." The solution is to not only introduce texts that are not typically considered part of the literary canon (a canon constructed around hegemonic ideologies), but to also decanonize texts that are often presented as essential texts in the classroom. Teach so that students are able to reach beyond just reading to understanding text in a way that is entwined their own lives. As evidenced in this article students' refusal to read a text or their lack of connection to that text does not come from a place of laziness or defiecit, but it is a failure on the part of the curriculum to cater to who they are as readers. Kirkland analogizes "books as clothes" and in this case the clothes don't fit their style. For Black (male) students, there is a complicated identity that is influenced by their own interest and the competing images of how they see themselves and what is expected of them in a classroom setting.
The video is showing how we can challenge classroom norms about what is a valuable text and what can be learned from it. This teacher is centering a different narrative and a different kind of artist/writer (Kendrick Lamar) that connects with his students and how they identify themselves as literate individuals.
So what do you think about how this teacher uses Kendrick Lamar to teach English? What are the students learning? How are they going beyond or adding to what they could learn from a "classic" text like Shakespeare for example?
I also wanted to share this clip of Marc Lamont Hill where he talks about using Hip Hop in the classroom that goes beyond just using lyrics as text.
How do you see yourself using this information in the classroom?
How would you apply this beyond to teaching in a way that goes beyond using hip hop because my students like hip hop music? For example, using hip hop habits of mind to talk about Charles Dickens or Emily Bronte
Sidenote: One critique that I had of the reading is that is focused on Black males as though there is a crisis that exists in the make population and Black girls do not face similar issues. Black girls are often not the focus of these kinds of studies because they are seen as being "better off" when that is not the case. Even if Black girls are statistically doing "better" in school they are typically still far behind their white counterparts.